Established in 2002, revived in 2023
"Okinawa, 2016" by Amber Adams:
In the years before you died, you lived
on the island where the kijimuna eat the eyes
of fish, and seeing the sea is inescapable.
By the time I made the many flight trek,
you’d become boyish again in linen shirts
and water shoes. Surf-polished, less
“Sugar Baby Sonnet” by Paige Passantino:
The website for meeting daddys was free to use
with a student email address. On the sugar side, of course.
The others paid. Both sides were merely seeking, arranging
something with range: six images for pleasure, a curation
dependent on if today’s girl would be show, or telling
Read “Nocturne” by Christian J. Collier, Winner of the Shō Poetry Prize for Shō No. 7 (Summer 2025).
I believed I could be more than man &, for two hours, became
the darkest bird in Hamilton County—barely eighteen,
midnight blue, resting my warm, bare feet on sheets of gale
as fog-sopped night made kindred of me.
“somehow” by Ohia, Ernest Chigaemezu, Winner of the Sita Martin Prize for Shō No. 7 (Summer 2025):
it begins with dreams where your heart flutters nonstop in an airplane bound for america used to be a part of your dreams now are like cicadas throwing a wild party & you're clueless as fuck your papery heart
“Doubt” by Nina C. Peláez, Runner-Up of the Sita Martin Prize for Shō No. 7 (Summer 2025).
At the cattle farm, I fell in love with a boy
who thought he was a god. I too, believed
this sometimes.
Runner-Up of the Shō Poetry Prize for Shō No. 7 (Summer 2025).
“The main reason behind the gay orientation of some
men is that they are possessed by female ghosts.”
— Spiritual Science Research Foundation
Listen to Rosemarie Dombrowski read “Epistolary for the New Year” from Shō No. 6 (Winter 2024/25).
Listen to Allisa Cherry read her poem “Second Anointing” from Shō No. 6 (Winter 2024/25).
“The Starlings Were You” by Robert Okaji, Winner of the Shō Poetry Prize for Shō No. 6 (Winter 2024/25).
Morning was a jaundiced memory,
a burnished smear on the kettle
shrilling its warning.
Twelve tracks to celebrate Pride Month by contributors to Shō Poetry Journal.
To celebrate Asian/Pacific heritage month, we’ve curated this selection of poems that give voice to Asian American experiences centered around inheritance, history, memory, and belonging.
This roundup features poems and audio recordings by Ally Ang, Monica Kim, Arah Ko, Vannida S. Kol, Sati Mookherjee, Jessica Nirvana Ram, Eylie Sasajima, Jeddie Sophronius, Sophia Terazawa, Elise Thi Tran, Bunkong Tuon, and MT Vallarta. These poems first appeared in Shō No. 3, Shō No. 4, Shō No. 5, and Shō No. 6.
Listen to Jose Oseguera read “Ode to the Foreskin” from Shō No. 5 (Summer 2024). About this poem: In this poem, I meditate on the foreskin as a symbol of fragility, ancestral protection, and the body’s first encounter with violence—an aspect of male vulnerability that I feel is often hidden or dismissed in society. Inspired …
Listen to Becka Mara McKay read “Golden Shovel as Anthropomorphism (Song of Songs 2:10)” from Shō No. 6 (Winter 2024/25).
In honor of Women's History Month, read this selection of poems by Sage Ravenwood, Gabriela Bittencourt dos Santos, Kuhu Joshi, Tianna Bratcher, Ari B. Cofer, and Dorsey Craft. These poems were published in Shō No. 4, Shō No. 5, and Shō No. 6.
Winner of the Sita Martin Prize for Shō No. 6 (Winter 2024/25).
In shop windows, you are strange / to yourself, your face a drifting moon, / eyes and mouth dark shafts.
Listen to Cortney Lamar Charleston read “It’s Important I Remember That Even Beyoncé Got Cheated On—” from Shō No. 5 (Summer 2024). About this poem: Despite its seeding in popular culture, this poem is part of a larger project concerned with the ascent of fascism and, resultingly, how rips in our relationships limit our ability …
Runner-Up of the Sita Martin Prize for Shō No. 6 (Winter 2024/25).
The fruit / hung bending the branches, like a hundred // small stomachs, bird-eaten and naked / where the beaks had pierced.
Listen to poems by Jae Nichelle, Saida Agostini, Ellen June Wright, Corey Baron, Mckendy Fils-Aimé, Erica Dawson, and Elontra Hall. These poems appeared in Shō No. 5 and Shō No. 6.
Something heavy lingers in the lines
/ of her cheeks and bags under her eyes. // No matter how she tries, she can't smile, / even as she offers us voluptuous, pink peonies.
You are what you eat. Your every sinew / born from the tomb of history: liver, / kidney, lungs, brain. Heart. Red as a cow's / tongue flicking
His body glistens from / etching pebbled leather / into his skin. My brother, // practicing his jump shot— / its gather, lift and release / reminds me of a samurai
Listen to Maja Lukic, inaugural winner of the Sita Martin Prize, read “Your Mother Knew Many Words for Beauty and Used All of Them to Call You” from Shō No. 6 (Winter 2024/25). You can also read Maja’s poem here. Audio recorded by Reed Turchi at Second Take Sound. Maja Lukic is a Brooklyn-based poet. …
Listen to Ranudi Gunawardena read “Girl Cousins, Pixelated” from Shō No. 6 (Winter 2024/25). For this poem, Ranudi was honored as the runner-up of the Sita Martin Prize for Shō No. 6. You can also read Ranudi’s poem here. Ranudi Gunawardena is a Sri Lankan poet whose work explores the wombscape, childhood in rural landscapes, …
Listen to Jae Nichelle read “alternate timeline” from Shō No. 6 (Winter 2024/25). “I began this poem thinking about the cyclical nature of time, specifically relating to my matrilineage and my family’s fraught relationship with the bodies of water around us as Louisianians. We face the persistent threats of floods and hurricanes while relying on unsafe …
