Audio Feature: Elontra Hall (Shō No. 5)
His body glistens from / etching pebbled leather / into his skin. My brother, // practicing his jump shot— / its gather, lift and release / reminds me of a samurai
Audio Feature: Maja Lukic (Shō No. 6)
Listen to Maja Lukic, inaugural winner of the Sita Martin Prize, read “Your Mother Knew Many Words for Beauty and Used All of Them to Call You” from Shō No. 6 (Winter 2024/25). You can also read Maja’s poem here. Audio recorded by Reed Turchi at Second Take Sound. Maja Lukic is a Brooklyn-based poet. …
Audio Feature: Ranudi Gunawardena (Shō No. 6)
Listen to Ranudi Gunawardena read “Girl Cousins, Pixelated” from Shō No. 6 (Winter 2024/25). For this poem, Ranudi was honored as the runner-up of the Sita Martin Prize for Shō No. 6. You can also read Ranudi’s poem here. Ranudi Gunawardena is a Sri Lankan poet whose work explores the wombscape, childhood in rural landscapes, …
Audio Feature: Jae Nichelle (Shō No. 6)
Listen to Jae Nichelle read “alternate timeline” from Shō No. 6 (Winter 2024/25). “I began this poem thinking about the cyclical nature of time, specifically relating to my matrilineage and my family’s fraught relationship with the bodies of water around us as Louisianians. We face the persistent threats of floods and hurricanes while relying on unsafe …
Audio Feature: Danielle Shandiin Emerson (Shō No. 4)
Listen to Danielle Shandiin Emerson read “Sometimes, she listened to his stories.” from Shō No. 4 (Winter 2023/24). We nominated this poem for a Pushcart Prize. “I wrote this as a sort of release from a lot of complex father and mental health related emotions. It’s written in third person to sort of distance myself, while …
Audio Feature: Alejandro Lucero (Shō No. 6)
You should talk about the field of dying alfalfa, / the golden straws that scratch your grandmother’s / legs when she returns from the river, and the fleas / jumping to her swollen ankles.
Audio Feature: T. De Los Reyes (Shō No. 6)
Dear Ryuichi, I live in a universe where / the sound of rain is your fingers tinkering / with the keys.
Audio Feature: Saida Agostini (Shō No. 6)
you beautiful beautiful stupid haunted girl / you lawless thief of daddy’s face and mummy’s grief / you daughter of the pomeroon
Audio Feature: Jackson D. Moorman (Shō No. 6)
prepared to be bare chested for the first / time in public. Fear I’ll be breaking / some cardinal rules.
Audio Feature: Monica Kim (Shō No. 5)
praise: for the sisters putting on rubber suits for each other / praise: for preparing the day’s catch with soy sauce & pan-fried onions
Audio Feature: Erica Dawson (Shō No. 6)
My excised uterus cramps with a phantom / womb’s labor pain, hard as that is to fathom.
Sean Thomas Dougherty – Hanzi in the Rain
I think I'm tiring of auditioning. / I'm not dancing for bread anymore.
Audio Feature: Em Townsend (Shō No. 5)
Rolling fields kiss the edges of town, farmland / lying flat and fallow like the rest of us.
Audio Feature: Susan L. Leary (Shō No. 5)
There's a certain surrender / to being an optimist—one which begins / with the day but, in fact, begins // with the evening.
Audio Feature: Robert Okaji
When I say moon, I recall brown calves lowing / at night, sheltered under their mothers' calm grace / in star-studded pastures.
Audio Feature: Melissa Fite Johnson
We’re all something else / to someone else. Maybe he became better, a person / who hated sharing a body with the person he used to be.
Audio Feature: Laura Villareal
the turkeys arrive while I’m deciphering / the if this, then that of taxes.
Audio Feature: Kathryn Bratt-Pfotenhauer
"I was thinking a lot about human mortality and environmental catastrophe, and how we all are momentary in the world"
Audio Feature: Sophia Terazawa
One / becomes my aunt. Enter AUNT in wide / angle shots. Flickers form infinite / possibilities cast on that screen.
