Samodh Porawagamage — Two postcard poems from To Punani Camp
“My book manuscript To Punani Camp, set during the Sri Lankan Civil War, comprises sent, unsent, and crossed-out postcards a soldier's wife would write to her husband.”
submissions are CLOSED
Established in 2002, revived in 2023
“My book manuscript To Punani Camp, set during the Sri Lankan Civil War, comprises sent, unsent, and crossed-out postcards a soldier's wife would write to her husband.”
Two Sonnets from Pierce Junction: No one knew what to make of the pear tree, / why only one side sprouted fruit, as if / the branches were opposed to symmetry / or cursed.
"Okinawa, 2016" by Amber Adams:
In the years before you died, you lived
on the island where the kijimuna eat the eyes
of fish, and seeing the sea is inescapable.
By the time I made the many flight trek,
you’d become boyish again in linen shirts
and water shoes. Surf-polished, less
“Sugar Baby Sonnet” by Paige Passantino:
The website for meeting daddys was free to use
with a student email address. On the sugar side, of course.
The others paid. Both sides were merely seeking, arranging
something with range: six images for pleasure, a curation
dependent on if today’s girl would be show, or telling
Read “Nocturne” by Christian J. Collier, Winner of the Shō Poetry Prize for Shō No. 7 (Summer 2025).
I believed I could be more than man &, for two hours, became
the darkest bird in Hamilton County—barely eighteen,
midnight blue, resting my warm, bare feet on sheets of gale
as fog-sopped night made kindred of me.
“somehow” by Ohia, Ernest Chigaemezu, Winner of the Sita Martin Prize for Shō No. 7 (Summer 2025):
it begins with dreams where your heart flutters nonstop in an airplane bound for america used to be a part of your dreams now are like cicadas throwing a wild party & you're clueless as fuck your papery heart
“Doubt” by Nina C. Peláez, Runner-Up of the Sita Martin Prize for Shō No. 7 (Summer 2025).
At the cattle farm, I fell in love with a boy
who thought he was a god. I too, believed
this sometimes.
Runner-Up of the Shō Poetry Prize for Shō No. 7 (Summer 2025).
“The main reason behind the gay orientation of some
men is that they are possessed by female ghosts.”
— Spiritual Science Research Foundation
“The Starlings Were You” by Robert Okaji, Winner of the Shō Poetry Prize for Shō No. 6 (Winter 2024/25).
Morning was a jaundiced memory,
a burnished smear on the kettle
shrilling its warning.
To celebrate Asian/Pacific heritage month, we’ve curated this selection of poems that give voice to Asian American experiences centered around inheritance, history, memory, and belonging.
This roundup features poems and audio recordings by Ally Ang, Monica Kim, Arah Ko, Vannida S. Kol, Sati Mookherjee, Jessica Nirvana Ram, Eylie Sasajima, Jeddie Sophronius, Sophia Terazawa, Elise Thi Tran, Bunkong Tuon, and MT Vallarta. These poems first appeared in Shō No. 3, Shō No. 4, Shō No. 5, and Shō No. 6.
In honor of Women's History Month, read this selection of poems by Sage Ravenwood, Gabriela Bittencourt dos Santos, Kuhu Joshi, Tianna Bratcher, Ari B. Cofer, and Dorsey Craft. These poems were published in Shō No. 4, Shō No. 5, and Shō No. 6.
Winner of the Sita Martin Prize for Shō No. 6 (Winter 2024/25).
In shop windows, you are strange / to yourself, your face a drifting moon, / eyes and mouth dark shafts.
Runner-Up of the Sita Martin Prize for Shō No. 6 (Winter 2024/25).
The fruit / hung bending the branches, like a hundred // small stomachs, bird-eaten and naked / where the beaks had pierced.
I think I'm tiring of auditioning. / I'm not dancing for bread anymore.