Audio Feature: Mollie O’Leary
It’s true—the scene is charged / with a heat surpassing what I endured to arrive here.
POETRY submissions reopen JUNE 1.
Established in 2002, revived in 2023

It’s true—the scene is charged / with a heat surpassing what I endured to arrive here.

“This poem is one of many calls and/or responses to the poet Megan Merchant. Our co-authored collection A Slow Indwelling comes out Fall 2024 from Harbor Editions and deals with a father and mother wrestling through cultural violence, the fragility of childhood, the preciousness of a parents love, and the beauty and pain expressed through the natural world.”

This poem is part of a larger epistolary exchange, "A Slow Indwelling", with Luke Johnson, and will be published this fall with Harbor Editions.

I’m more broken than I’ve ever been. / This shell of a body, emptied / and longing.

These trees war scalded from the mountains, burnt stubble, replanted when my father was a child, now tall again.

The last night with my mother, I blinded like a snake in the blue, /
shed the skin of daughter and switched roles

i am here with you by the premade sushi. / by the out-of-season strawberries. / by the tofu.

we stumble through a forest / of awkward silences, careful not to touch // the brambles.

I can think of a few things more entrenched, / like language, syllables strung together // in a lilt

After all, what way is there to leave / a dance floor other than wet // & shaking under a mass of pleading / legs all huddled into a single moving // sacrifice—swaying tall & drowning / in bass?

The days have been heavy lately, /
an albatross on each shoulder

My mother fell in love with the way you cracked / into an urchin.

I smelled like churned earth, breasts bouldered and leaked / through my support bra into my shirt / for days after his deathbirth.

A playlist for Pride Month, featuring recordings by Ally Ang, Cass Garison, Cassandra Whittaker, Eben E. B. Bein, Quinton Okoro, and Dare Williams.

Mom, since we stopped / speaking, I've been searching / for the first word / you gave me.

My father came to this country / through the womb. My mother, too. // Their mothers and their fathers, too. / But somewhere behind them: a crossing.

Today, my heart is working / remotely. I watch it thump / and thrum reliably behind / the blur of a computer screen.

i’m drinking coffee and reading an essay / by Tarantino breaking down Scorsese’s decision to / cast Harvey Keitel as the pimp in Taxi Driver

The sirens—remembering—often sing to me / of my own deathwish.

how else would i describe it? / somewhere below all of us // i paced the dirt floor of a deep / and airless pit, digging and uncovering // only daylilies tight and green

I’m not good at holding / anything real // the glass the weight these night- / blooming jasmine

I share an arm rest / with a stranger who has desires // too.

There is still good meat / on these bones.

I can tell you about strength. / How the sun warms our skins. / How the moon turns tides.